Rather than illustrating scenes directly, I constructed and staged a miniature sculptural set using paper clay and chipboard, entirely in white, to echo Hitchcock’s black-and-white cinematic palette. The set incorporates symbolic props from key films, including a bathtub and showerhead (Psycho), a spiral staircase (Vertigo), a side table with telephone (Dial M for Murder), and architectural cutouts referencing Rear Window. These elements were arranged within a silhouetted profile of Hitchcock’s head, using negative space, windows, and apertures to frame each narrative reference. By lighting the piece from multiple angles with a single flashlight, I captured dramatic shadows that emphasized tension, scale, and anticipation, translating Hitchcock’s cinematic language into a print cover format. The final cover was composited in Photoshop from these photographs, resulting in a proposed book design titled The Art of Alfred Hitchcock: Fifty Years of His Motion Pictures.